The Yuan porcelain is a product of inheritance and innovation. Carrying on the artistic achievements of Song and Jin dynasties, Yuan artisans reached a new high in their command of techniques and artistic creation. The establishment of Fuliang Porcelain Bureau marked that the government-owned kiln began to lead porcelain making. With Jingdezhen as the center, porcelain production thrived in national and local kilns like Longquan Kiln and Cizhou Kiln, which greatly boosted porcelain trade overseas. The trade of diversified and exquisite porcelain presents a clear picture about how the porcelain spread along the Silk Roads on land and on sea and recounts the process of communication and mutual learning among civilizations from a unique cultural perspective. The Yuan porcelain characterized by marvelous decorations, a wide range of themes, and an array of patterns embodies the influences of multiple cultures, including the traditional culture on the Central Plain, Islamic Culture, Mongolian grassland culture and Tibetan Buddhism, and constitutes the best material evidence for the openness, diversity and inclusiveness of Chinese culture during the Yuan Dynasty. Additionally, in the Yuan Dynasty porcelain production techniques made headway; the maturity in the underglaze colored porcelain production techniques as reflected in the Yuan celadon not only holds epoch-making significance in the history of porcelain production techniques, but also fully reflects Sino-foreign cultural exchanges exert deep-going impact upon people’s aesthetic interest and fashion change in relation to porcelain.